2 kanallı Pasif Doğrudan Giriş Kutumuz.
Direct Box MDI-2 iki versiyonda mevcuttur: aktif (9V pil veya Phantom güçle çalışan MDI-2A) ve pasif (MDI-2P).

DI kutuları, klavyeler, gitarlar ve elektrik baslar gibi yüksek empedanslı enstrümanların sinyal yönetimini optimize etmek için olmazsa olmazdır. Stüdyoda ve sahnede önemli bir ortak olan her MDI-2, herhangi bir ses sinyalinin sinyal dengelemesini ve empedans eşleştirmesini sağlar.
Cihaz, TRS veya RCA L/R dengesiz Girişler, XLR dengeli L/R ÇIKIŞI ve hem sol hem de sağ kanal giriş sinyali için bir zayıflama seçici [0 dB -20 dB -30 dB] ile donatılmıştır.

Ön paneldeki kullanışlı THRU konnektörleri aracılığıyla giriş sinyallerinin tekrarlarını almak da mümkünken, Ground butonu her iki çıkış sinyalindeki olası uğultuları ortadan kaldırıyor.

The unit includes phantom power and battery supplies as standard. Should the phantom power from the console fail or be accidentally switched off, the AR-133 automatically switches over to the internal 9V battery providing uninterrupted use.

The unit is housed in a rugged aluminium extrusion case, with robust polyurethane end-cheeks which give the AR-133 a very distinctive look.

Input connectors are both 1/4" jack sockets and an XLR socket, the latter meaning that the AR-133 can be used to convert unbalanced signals to a balanced output on XLRs throughout.

The arched case allows cables to run back underneath the unit from the end for neat cable management.

Input attenuation is 0, -20 or -40dB, making the box suitable for instrument, line or amplifier levels on inputs. On the output side, a ground-lift switch is provided for quick solutions to ground-loop problems.

The AR-133 uses an enhanced version of the same audio path as the AR-116, now regarded by many people as a reference standard. The sound quality is legendary, particularly on acoustic and bass guitars.

Numerous applications can be satisfied by the AR-133. For example, as well as the traditional guitar use, the AR-133 can be used with keyboards, DJ consoles, amplifier outputs, and other electronic sources.

An additional bonus is the ability to use the AR-133 as an active balancing device.

ARCHITECT'S AND ENGINEER'S SPECIFICATION

AR-133 Active DI Box / Line Balancer

The Active Direct Inject box shall provide a transformer balanced and isolated feed from a source input via a 1/4" TRS jack or 3-pin XLR-type connector. The output of the DI box shall be via an XLR connector. The unit shall also provide a 1/4" TRS jack in parallel with the input to act as a link for line bridging. The link shall be a direct feed from the input, or shall optionally be fed from an actively buffered input signal.

The unit shall be powered either via a phantom power source, or via a standard PP3 type 9 volt battery. An led shall illuminate continuously to show power is provided by a phantom source, or flash approximately every 2 seconds if powered by the battery.

Switches shall be provided for: EARTH LIFT (output pin 1 disconnected from unit ground), INPUT ATTENUATION (of 0, 20 or 40dB), and Power On/Off.

The unit shall be housed in an aluminium extrusion fitted with isolating side-cheeks. The unit shall be sufficiently screened so it is not susceptible to external magnetic fields.

The Active DI box shall be the BSS Audio AR-133.

The dbx Di1 is a compact high-quality active direct injection box. Ideal for both studios and on the road, the Di1 will ensure audio signals reach their intended destination in both a balanced format and free from unwanted noise.

Connect the output from electric guitars, bass amplifiers, keyboards, etc., directly to a console mixer without the use of a microphone.

Built for toughness and reliability, the Di1 has all the features of a fully featured gig-ready workhorse DI unit.

The 4-channel Di4 is designed to be used as a standard tool for many audio applications. Offering four channels, the Di4 easily solves the problem of converting unbalanced signals into balanced output suitable for use with mixers, PAs, recording consoles and more. The Di4 also functions as multi-channel stereo line mixer. This feature allows you to connect all your keyboards, samplers and modules into just one rack unit on stage and supply independent XLR balanced outputs to the stage box for a front of house engineer and set your own independent mix for stage monitoring. The Di4 also offers a headphone output.

Using the dbx Di4 as a DI Box:
Connect the signal you would like to convert from unbalanced to balanced to the Di4 via a 1/4-inch unbalanced jack to one of the channel inputs on the front panel of the unit. Connect an XLR balanced cable to the corresponding channel output on the rear of the Di4 and connect to your chosen destination. If the input signal strength is too high you can depress the 20dB pad. If there is an ground (earth) loop hum you can remove by depressing the earth lift switch.

Using the dbx Di4 as a Line Mixer:
You can mix volume and pan of all input signals to a single stereo pair of RCA connections on the rear of the Di4. This enables use of the unit as a fully functional line mixer. Just connect the RCA stereo master outputs on the rear to your chosen destination and adjust the individual volume and pan controls for each individual channel on the front of the Di4 to suit your needs.

At dbx, when we do something, we do it right. So when we decided to create our new direct injection boxes, we didn’t settle for the same old tired approach to direct box design. With our dbx name on the line, how could we? One look at our new dB10 Passive and dB12 Active direct boxes will tell you that these are clearly different. With their bullet-proof construction, and extraordinary audio performance to rival their looks, finally there’s a direct box worthy of the dbx name.

Utilizing custom dbx mu-metal-shielded audio transformers, high-quality Neutrik® connectors, and low-noise circuitry preserves the sonic integrity and true characteristics of the signal source. Both boxes include a pad switch that accomodates instrument, line and even speaker level signals. Take even more control of your sound by utilizing the polarity invert switch to set the phase relationship between the direct and mic'd sound.

As a professional, you don’t have time for interference, so we’ve included a ground lift switch to solve potential hum and buzz problems due to ground loops. And between the combined shielding of the cast metal chassis and the custom-wound transformer, you can be doubly assured of a clean signal free from interference. All of this sits atop a solid, stable footprint, that will keep the box from being dragged around the stage, and the unique contoured underside allows secure stacking of multiple units.

At dbx, when we do something, we do it right. So when we decided to create our new direct injection boxes, we didn’t settle for the same old tired approach to direct box design. With our dbx name on the line, how could we? One look at our new dB10 Passive and dB12 Active direct boxes will tell you that these are clearly different. With their bullet-proof construction, and extraordinary audio performance to rival their looks, finally there’s a direct box worthy of the dbx name.

Utilizing custom dbx mu-metal-shielded audio transformers, high-quality Neutrik® connectors, and low-noise circuitry preserves the sonic integrity and true characteristics of the signal source. Both boxes include a pad switch that accomodates instrument, line and even speaker level signals. Take even more control of your sound by utilizing the polarity invert switch to set the phase relationship between the direct and mic'd sound.

As a professional, you don’t have time for interference, so we’ve included a ground lift switch to solve potential hum and buzz problems due to ground loops. And between the combined shielding of the cast metal chassis and the custom-wound transformer, you can be doubly assured of a clean signal free from interference. All of this sits atop a solid, stable footprint, that will keep the box from being dragged around the stage, and the unique contoured underside allows secure stacking of multiple units.

The 2-channel passive DJdi is designed to be used as a standard tool for many audio applications. Offering two channels, the DJdi easily solves the problem of converting unbalanced signals into balanced output suitable for use with mixers, PAs, recording consoles and more. The continuously variable input signal attenuator can accommodate a wide range of signal levels and its passive design means clean, quiet and uncolored operation with no power required.